The Kids in the Hall is a Canadian sketch comedy group formed in 1984, consisting of comedians Dave Foley, Kevin McDonald, Bruce McCulloch, Mark McKinney, and Scott Thompson.

After his frustrated wife abruptly walks out on him, Stuart Bliss, a wizard at inventing campaigns for surplus military materials, believes he's catching the warning of a coming apocalypse. Descending into paranoia, he then begins to perceive every subtle change in his office as a sign of intrusion, imagining that he's being watched and possibly polluted with a contaminated substance.

A pharmaceutical scientist creates a pill that makes people remember their happiest memory, and although it's successful, it has unfortunate side effects.

Friendship, Dialogues (silences) is a conversation between ideas (present and missing) in contemporary materialist film; here, the impersonal documentary conceives itself to be an artifact of its past anarchic potential; this is the trajectory of attention, recursion, and transformation. Wherever there is a limitation imposed, there is always an implied area beyond the limit; this is the nature of the pact between parallels: if ever they should meet, it would be where endlessness concludes; the path is labyrinthine and ruinous. On image, text, sound (otherwise and beyond): they are empty except for what they perceive to grasp in the other; they model consent for attention as well as inattention; they are a concrete reality of each other in absentia; ‘I hear what I read, and I see what I read!’ “There is no friendship where distance is not kept and respected.” (Simone Weil)

Friendship, Dialogues (silences) is a conversation between ideas (present and missing) in contemporary materialist film; here, the impersonal documentary conceives itself to be an artifact of its past anarchic potential; this is the trajectory of attention, recursion, and transformation. Wherever there is a limitation imposed, there is always an implied area beyond the limit; this is the nature of the pact between parallels: if ever they should meet, it would be where endlessness concludes; the path is labyrinthine and ruinous. On image, text, sound (otherwise and beyond): they are empty except for what they perceive to grasp in the other; they model consent for attention as well as inattention; they are a concrete reality of each other in absentia; ‘I hear what I read, and I see what I read!’ “There is no friendship where distance is not kept and respected.” (Simone Weil)

Jimmy Gralton returns from New York and reopens his beloved community hall, only to meet opposition from the local parish.

New York comedian Alvy Singer falls in love with the ditsy Annie Hall.

England in the 1520s is a heartbeat from disaster. If the King dies without a male heir, the country could be destroyed by civil war. Henry VIII wants to annul his marriage of twenty years and marry Anne Boleyn. The Pope and most of Europe oppose him. Into this impasse steps Thomas Cromwell: a wholly original man, a charmer, and a bully, both idealist and opportunist, astute in reading people, and implacable in his ambition. But Henry is volatile: one day tender, one day murderous. Cromwell helps him break the opposition, but what will be the price of his triumph?

Struggling to find a job in her northern home town, Jane is convinced that she is ugly, boring, and completely useless. But after one blazing row with her parents too many, Jane decides to move to London, where she finds sex, adventure, friendship and fun driving a red London bus.

The accidental shooting of a boy in New York City leads to an investigation by the Deputy Mayor, and unexpectedly far-reaching consequences.